A series of photos showing the progress of dawn, not over one day, but at the same time each day from winter to midsummer, as I walk through the fields to work
In the summer of 2012, I found a long deserted pathway through the fields at Laughanstown in south county Dublin, near to a place where I was working at the time. My discovery and first lunchtime amble along the pathway is illustrated in my short story The Melting.
The pathway runs through open fields alongside the LUAS tram line, and I soon got into the habit of taking a daily walk along the pathway, getting off the tram a couple of stops before walk, and happily walking in solitude through fields alive with fresh morning air, only the occasional whirr of a passing tram to disturb the birdsong. A lovely way to start the day, drifting happily in thought and body. Were I a lamb, you might even say that gambolled happily across the meadow each morn.
When winter came, I was loath to give up this pleasure, even when darkness made it more difficult, and started bringing a torch so I could pick my way along the path towards the lights of civilisation – and work – in the far distance. It was cold, dark, and sometimes hard going, but the sense of solitude and the fresh air more than made up for it.
Far from any houses, the blackness was absolute, and one morning (Jan 2nd this year) at 0724 I took a photo to illustrate the darkness of the walk, zooming in on the lights of Tullyvale and Cherrywood in the distance.
The next morning, the blackness was not quite complete – a tiniest sliver of a crack of dawn was visible over distant mountains, and I took another photo to show the difference a day (and two minutes later) had made.
This gave me an idea. As I walked the route at least three days a week, always at the same time (taking the same outbound tram departure) why not take a series of pictures, to catalog how the dark of winter slowly gave way to the dawn of spring, and the daylight of summer as I took my morning walks.
Those first two pictures were taken randomly, and not at exactly the same point, and possibly not covering exactly the same span, but for this project I would need some way of locking my physical location, so that the field of view would be as close as possible to exactly the same in each picture.
So I used a line of electricity pylons to determine the photograph point – they would not be in shot themselves, but when I reached a point on the path where the crosstree of one pylon aligned exactly with the southern edge of another, I would stand in the righthand rut of the track, thus controlling my physical location. I would then line up the second closest overhead wire carrier on the tramway to the rifghthand edge of the photo, and this would ensure I was covering the same area in each shot. Only the vertical plane had no real means of control.
And so, here are some of the results, as we journey from winter to spring, at the same time each morning, give or take a couple of minutes.
A week after my first photos, the 11th of January 2013 at 0724. The difference in the amount of dawn is quite visible, it is still pre-dawn lightening of the sky, but the clear day makes it much more visible. The field and pathway are still in absolute blackness at this time.
January 15th at 0724, another clear morning, apart from a low lying bank of cloud over the distant hills.
Just a couple of week later, the 6th of February, at 0722. Quite a difference in two weeks – another clear day, but this time the sky is blue, the shapes of things are more visible, and I can see the puddle ahead of me.
Now this is amazing – it is only two week later, the 21st of February, at 0723, and yet the difference in light, even with a totally overcast day, is amazing. Now everything is visible. To the right is the tram line, heading towards Cherrywood in the far distance. The buildings in the centre of the picture are the apartments of Tullyvale. To the left of them a sliver of the Irish Sea is visible, and then Killiney Hill rises on the left edge of the photo.
Four days later, the 25th of February, again at 0723, and a different type of cloud cover darkens the scene, but leaves room for a lovely yellow and pink line above lower lying clouds concealing the rising sun.
A couple of weeks later again, 7th March at 0723, and it is now pretty much daylight. It’s been raining for days, and the distant hills are lost in soft Irish mist.
The 29th of March at 0728, the sun is fully risen, and hidden behind the clouds, sending lovely shafts of light down onto the sea. The foreground looks darker to the camera due to shooting into the sun, but was bright enough to the human eye.
April 17th at 0724 – no fear of sunlight affecting the camera here, as the weather has turned “Irish” again!
And then . .
And then I moved away from that location
but . . .I knew I must come back for midsummer photos.
Midsummers day itself, though hot and sunny later, was wet and misty early on – June 21st 2013 at 0726.
And now I’m working on the other side of the city, and I don’t get to walk through the fields each morning any more. But thanks to a whim and a sudden inspiration back in the dark days of winter, I have a whole selection of photos of my beloved few moments of morning commune with nature, to go with a whole set of cherished memories.
I hope you’ve enjoyed the trip as much as I have!
A sequence of shots taken as I stood the overnight anchor watch on the Radio Seagull / Radio Waddenzee ship off the Dutch coast on Fri/Sat 3rd/4th June 2011.
Sunset over the Waddenze
Screenshot of us in location southwest of the uninhabited island of Griend.
The first pre-dawn lightening of the sky at 0336.
Fully light by 0500
Zoom shot of the low-lying island of Griend at Dawn
A privilege to be here to enjoy such nights and see these sights. Steve.