Below is an extract of part of a chapter of my next book “Outside In – Everything I Know About Radio I Learned By Screwing It Up”
This chapter relates to 2001/2002, when I did the breakfast show on the original, pirate-era, Phantom FM.
I’m posting it today because I happen to be playing the band in question, this morning, as part of episode 290 of An A-Z of Great Tracks on 8radio.com
This particular track, and this particular chapter, sum up so much of what I feel about music and radio, I just wanted to take the opportunity to share this chapter when the track came up in the A-Z.
24 – If A Band Falls In A Forest, Are They Worth It?
Flashback to 2001.
It is just after sunset on a weekday evening sometime in late summer. I am in the front room of a suburban house somewhere just off the Rock Road in Dublin, within a stones throw of the sea. I can’t remember exactly where, now, but I do remember the excitement of all involved, especially myself.
I was in a house I’d never been to before, facing four lads I didn’t know, who were about to give me a wonderful gift – their dreams, inspiration and perspiration, all wrapped up in that little package of hope that is called a demo CD. They gave it to me, freshly burned and unlabelled, and I was out the door promising them that yes, I would listen to it, and yes, I would give it a spin on the breakfast show on Phantom .
Phantom’s music controllers, John Caddell (International) and Paul Clarke (Irish) were always on the lookout for good new material, and Paul hosted a Wednesday night show devoted entirely to new Irish music, and was legendary on the scene for the unstinting support he gave to new bands.
Once I had settled into the breakfast show, I started to develop something of a reputation myself, not on the scale of Paul in terms of his quantity and quality, but as a breakfast DJ with willingness to put new material straight on the air, without letting my own opinions moderate, and without any vetting process other than making sure that the contents were not obscene. I really believed in what Phantom was doing, and was always willing to give a new band a play, and indeed later developed a feature or “hook” on my show whereby I would ask people to send me in their demos, and I would open the package, and put it straight on, live on air, giving a running commentary of what it looked like and anything else in the envelope. The music wasn’t always outstanding, but it sometimes showed promise, and best of all it made for wonderful live radio.
There were unintended comic interludes too, like the time that a then unknown band called Ham Sandwich left me a CD, and to pique my interest, they included a real ham sandwich in the package. Sadly I was away for a few days when it arrived, so when I did open the package on air, it was to a quite noxious smell . . .
Better still was my dumbfounded silence and quick switch to music one morning when the package I opened during a live link, expecting a musical treat, turned out not to be, as I had expected, a demo from some new band, but some photos and a rather explicit mail from Karen (see previous chapter).
But to go back to the lads in the house somewhere off the Rock Road, I did indeed play their music, and liked it so much that I still have the CD nearly twenty years later. There were two epic long tracks and one very passable 4 minute single-candidate on their demo, with a depth of lyrics that matched the passion I had seen on their faces during our brief encounter.
Nothing ever came of this band, indeed I never heard of them again, and as far as I can make out, they must have split up and gone their different ways many years ago without even the faintest glimmer of the success that I felt they deserved. I can find no trace of them now, and an internet search only reveals a new, and seemingly unrelated Dublin poprock band who have taken the same name – “Milk“.
Now, by any definition of those involved in mainstream radio, my demo tracks from the original 2001-era Milk band are unknown, unplayable, in effect worthless. But I ask myself – why?
Does it matter that these people had no rise to fame, no chart success, no record deal? If I like what I hear when I play the CD, does it matter that no one knows them? If a piece of music deserves to be heard for the passion put into it, why should it be discounted just because it is unknown?
For me, music, once committed from the soul of its creator to the medium of storage, is a valid choice forever, even if it is the tree falling in the forest that nobody is there to hear.
So many trees fall in the vast forest that is the music industry, and so few people are willing to venture far enough in from the edge of the forest to hear them . .
The new (2014) edition of Shiprocked – Life On The Waves With Radio Caroline was launched in Dublin last night, with former Caroline and RTE 2FM broadcaster, and current-day drive time 4FM presenter Gareth O’Callaghan doing the honours.
The book is already in stock at most large retailers in Ireland, and will be on sale in the UK shortly.
Below are some pictures from the launch event, in which selected extracts from the text were presented alongside archive TV news footage and of-air audio to give a flavour of 1980s Caroline for the 100 strong crowd who turned out at The Odessa Club for the occasion.
Big thanks to Johnny Bambury for this excellent series of shots.
After a short break from the live scene due to a hectic schedule last year, I am delighted to be returning to public readings as part of a special themed event at The Workmans Club, Wellington Quay, in Dublin City Centre.
Hosted by Seven Towers, this is a short evening event kicking off at 6.30pm, with writers and poets including Orla Martin, Phil Lynch, Eamonn Lynsky and myself exploring the theme of “Television“.
Full details at www.seventowers.ie
In addition to the new books I am working on, I have written and continue to write a number of short stories which are based around my own life experiences or things I find interesting.
This story was written in June 2012, and had its debut at the Last Wednesday Series writers open-mic in Dublin on the 27th of that month. I’m presenting it here for your enjoyment, and hope to include it in a collection of my shorter work later in the year.
I’m not sure if you would classify this story as biography or fantasy, but it’s certainly a real-life account of how my mind was working on two perfectly ordinary days . . .
by Steve Conway
It’s freezing cold, and it’ll be several long minutes before the car begins to heat up, and the window de-ices enough for me to move, but I don’t mind really. I am too busy watching the collapse of an empire.
As an introvert, I live a rich inner life, and as a writer, perhaps even more so. It could be that the introspective nature and the gra for writing are linked in some way, but whatever the reason, I find it amazingly easy to tune out of the everyday world around me and retreat into a rich and colourful inner fantasy life.
Or maybe I’m not retreating from the world at all, but just looking at it with other eyes.
The iced over car windscreen is, you see, not a windscreen, but an overview of a fantasy land somewhere beyond reach, it’s people ground down and subjugated in an icy totalitarian regime, frozen in its leaders cruel idology.
Like all such tyrannies its must be resisted and overthrown, but choice of how to do so carry consequences. Oh, I could send in the shock troops – the windscreen wipers or the plastic ice scraper – to hack away ineffectively at the frozen landscape, but think of the casualties of such brutal action. There is death and destruction in the rasp of wiper-blade over still-frozen window.
No, I prefer the revolution to happen from the grass roots, as the whispered idea of freedom issuing forth from my heater blower, slowly infiltrates and changes minds, causing the tyrant to lose his grip, one ice crystal at a time, as his empire crumbles.
At first there is no change, and then, gradually the dark stain of change creeps upwards from the bottom of the windscreen. The initial defences are down, the lands in the far south unfrozen, and soon whole chunks of ice start detaching from the mass and sliding down the screen accelerating their fall towards the heat, like defecting troops fleeing their routed armies.
And that tight knot of extra hard ice in the middle of the window? That is the seat of government and it is besieged and falling, and the ruler and his minions are fleeing north to that part of the top of the land still in the grip of winter, but there will be no escape, for my warm ideology will waft its way to there too, by and by.
And while all this is flashing through my head, I am far too busy and entranced in my own imaginings to mind the cold of the morning, or the delay to my journey, and by the time the last castle falls the car is warm and I’m ready to be on my way.
Another time, a different place.
It is baking hot, and I am walking down a dry dusty road, and straight into a 1950s movie. The dust road is arid, it runs through the desert alongside a railroad, and my destination is a forgotton, tumbleweed-infested station where no one ever gets on or off.
In my mind I have wandered into the world of the 1955 Western Noir classic A Bad Day At Black Rock, one of Spencer Tracey’s finest, in which, for the first time in twenty years, the train stops in the eponymous town, a stranger alights and trouble ensues. Maybe I’m the stranger, maybe I’m the secret he’s searching for, but I’m certainly in the middle of a dusty wilderness.
Actually, in real life, I am in South Dublin, walking alongside the Green LUAS line extension to Cherrywood, at a place where it runs for a mile or so through a semi-razed wilderness, a bulldozed land now returning to nature, a site of several hundred acres where a vast new town was planned, but which never got under way before the boom ended. The LUAS trams go whizzing by every few minutes, and I’m getting close to the ghost station of Laughanstown, where the trams stop, but no one ever gets on or off. There is nothing at Laughanstown but a tiny country lane and a single house, and the tram stop built in anticipation of the vast new development rarely gets any custom. There isn’t actually any tumbleweed blowing past, but it wouldn’t look out of place if it did.
Normally on my lunchtime walks when I exit the high tech office building where I earn my bread I stick to the nearby roads, and wander through a local park, lush and green. But I spy an opening in the fence that has previously sealed off the dirt road through the abandoned wilderness and I am onto it like a shot, wanting to explore pastures new, and silent.
The sun is baking, the rubble-strewn track is rough beneath my feet,I am sweating copiously, but I’m in the bliss of absolute solitude. No one ever comes this way because there is nothing to come for, who in their right mind would walk through this rubble on a scorching day, heading alongside the LUAS line for a ghost station that no one uses? And as I walk I seal myself into the world of the western, the 1955 film keeping me mentally far away from the work-day reality I’ll have to return to in an hours time.
And then, shimmering in haze ahead of me on the dusty track, there is a flash of brilliant pink.
For a moment it is impossible to define any form or purpose, but eventually it solidifies into a feminine form, far in the distance, coming towards me as I am coming towards her. The heat haze makes her seem to float, and immediately I am in a different space in my head, the film gone, I’m now living in the lyrics of the Talking Heads song “And She Was” watching this mirage-like woman as she seems to glide this way and that over the ground without really touching it at all.
I wonder idly if there is a song playing in her head as she sees me moving inexorably towards her . Perhaps she hears an indie beat from The Automatic asking her what kind of monster is cresting the hill ahead of her.
More than likely, of course, she doesn’t notice me at all.
She is so vividly pink, the two of us alone in this desolate landscape are such utterly opposite magnetic poles as we come towards each other, that surely there must be some sort of explosion if we touch.
She is female, young, brightly clad and long of hair, blonde, I am male, older, dressed in black and grey, hair short and greying.
But we pass without any chemical reactions or explosions, and after a while she is swallowed up into the landscape behind me.
There is nowhere she can possibly be going. If she was heading to any destination the LUAS would have been quicker, and this track was not usually accessible. She was walking into that wilderness for the sheer joy of it, and as we passed I could see through her smiled greeting the same dreamy look in her eyes as I must have had, and I loved her for it.
I am not the only loner in the desert today. And that, somehow, just the seeing of her, and the realisation that she is there for the same reasons as me, reconnects me with humanity, and makes a difficult work day more bearable, and all this without a single word spoken.
A bad day at Black Rock.
But a good day at Laughanstown.
I’ve been a little quiet of late on this blog.
The reason for this is that over the last 4 weeks I completed the first draft of my next book, due out sometime towards the end of this year or early 2012. (My first book, Shiprocked – Life On The Waves With Radio Caroline, was published in 2009)
I am currently going back over it to add in a few bits and pieces to create a second draft, which has to go to the publisher for editing at the end of this week.
I’m keeping the title and content under wraps for now (other than at selected live readings – the next is Last Wednesday at the Twisted Pepper in Abbey Street, Dublin, on Wednesday 31st August doors open 7pm).
However I can tell you that I am really pleased with the finished content so far, and in fact feeling even better about this one than I did when I was at the similar stage with Shiprocked.
Once the 2nd draft is finished, I’ll be back here more regularly, with lots of stuff to talk about.
All the best
Exciting news: a publication date for my second book will be announced shortly, and it looks like it will be towards the end of this year.
If you’d like a preview of my new writing, as well as a taste of my recent short stories as well as something from my first book Shiprocked, I’ll be giving a special reading in Dublin on Saturday 16th July.
3pm downstairs at The Twisted Pepper, Abbey Street.
Just a reminder that I’ll be reading tonight at the monthly Last Wednesday writers open mic in Dublin, brought to you by Seven Towers at the Twisted Pepper in Abbey Street.
As well as new material from my second-book-in-progress, I will also read something I wrote 28 years ago, long before my radio days.
The Last Wednesday readings feature a wide variety of poetry, prose and sometimes comedy from new and established Irish writers, it’s free in, and a great evenings entertainment.
Door open 7pm.