Wishing you a very Happy Christmas & a peaceful New year.
I’m on-air at my usual times, with some extra hours over Christmas:
Christmas Eve on Radio Seagull: Instead of the normal show on Radio Seagull from 7-9am CET (6-8GMT) repeated in the evening, I will be presenting two individual shows at thos times, so twice the music:
24th Dec Radio Seagull www.radioseagull.com 0600-0800 GMT (0700-0900 CET)
24th Dec Radio Seagull www.radioseagull.com 1800-2000 GMT (1900-2100 CET)
Then on Boxing Day / St Stephens Day my show on Caroline has an extra hour:
26th Dec Radio Caroline www.radiocaroline.co.uk 1300-1600 GMT
On New Years Eve my Seagull show is a special featuring the best of the new music I’ve played throughout 2011
31st Dec Radio Seagull www.radioseagull.com 0600-0800 GMT repeated 1800-2000 (0700-0900 CET repeated 1900-2100)
Then normal show on Bank Holiday Monday Jan 2nd on Caroline:
2nd Jan 2012 Radio Caroline www.radiocaroline.co.uk 1400-1600
I hope you get the chance to join me at some stage over Christmas, if not, may I wish you a very Merry Christmas and a Happy New Year now.
I’ll be back in the New Year with details of my forthcoming book . .
Have a listen to the tests of the custom-built AM valve transmitter on board the Radio Seagull ship in Harlingen, Netherlands, as picked up more than 300 miles away in Co. Kildare, Ireland
I reported during the summer on the construction of a custom built, old-style valve transmitter for high-power AM on board the Radio Seagull ship, the Jenni Baynton, located near Harlingen, in the northern Holland. For the last 6 weeks this transmitter has been in use, performing authorised tests on the 1395AM frequency, which is licenced to a different operator. During these tests Radio Seagull has been relayed, and they come to a close after this weekend (14th November 2011) after which Seagull will continue to be heard on its own frequency 1602Khz and online worldwide.
For the last week, the transmitter has been operating on a higher power setting, and in addition to providing coverage throughout The Netherlands (the intended coverage area) it has been possible to listen much further afield, the signal reaching many parts of the UK, and latterly Ireland.
Click on the link below to hear a short (1 minute) sample of reception on an ordinary car radio, at Monestrevin, Co. Kildare, at around 5.45pm on Monday 7th November. This recording was made simply by using to “voice memo” function on my mobile phone to record the sound inside the car, so the original reception quality is even better.
Not a bad reach for a hand-built rig on a little lightship. Kudos to Walter, Colin, Sietse and the the onboard engineering staff on the Jenni Baynton.
The recent test-transmissions on 1395Khz by Radio Seagull have driven quite a few Google search requests to this blog, so I’ve decided to give a quick run-down on the station for any new visitors, as well as for those who follow me for my other content and might be curious.
Please note my disclaimer: I am a Radio Seagull presenter myself (Saturdays 7-9am and pm CET, 6-8am and pm UK/Irish time) so you are reading an insider rather than an outsiders point of view. Having said that, I also have to point out that all views are my own, and not neccessarily endorsed by the station.
So, what is Radio Seagull?
Radio Seagull is a full-time, permanent, licenced terrestrial, English-language radio station based in The Netherlands, specifically the town of Harlingen, in the northern coastal area. As well as AM coverage emenating from Harlingen, the station can be heard worldwide via its online stream, accessible from the station website - www.radioseagull.com
How can I hear Radio Seagull?
In The Netherlands the station shares its AM frequency (1602Khz) with Radio Waddenzee, a regional station servicing the north of The Netherlands in the Dutch language. Waddenzee is heard from 7am-7pm and Seagull from 7pm to 7am on mediumwave, however Seagull is available 24 hours a day online.
(Radio Waddenzee takes its name from The Wadden Zee, a large area of sea on the fringe of the North Sea, but partly protected by a chain of islands 20km or so from the coast.)
As well as terrestrial and online outlets, Radio Seagull is sometimes carried as a sustaining service on other stations around the world. Currently the station is being relayed as the content of a series of test transmissions on 1395Khz on AM, which are being made from the Radio Seagull ship, the Jenni Baynton. These are scheduled to continue until mid-November (but Seagull will continue to be available on its permanent frequency of 1602Khz, at all times).
What type of programmes does Radio Seagull have?
Radio Seagull features both modern alternative and classic rock, as well as a wide variety of specialist music shows. Some presenters specialise in new and alternative music, others present more general shows. Details can be found at the website www.radioseagull.com.
In order to cater for international listeners in different time-zones, the schedule is organised into groups of programmes in 12-hour blocks, repeated once the same day – so that, for example, a show aired at 3-5pm will also be aired at 3-5am, giving people in different parts of the world the chance to hear each show in their “daytime”.
How is Radio Seagull different from other stations I can hear on the internet, or local stations on FM?
Radio Seagull’s programming philosophy is to gather together experienced and professional presenters from around the world, people who are passionate about the music they play, or very knowledgeable in their specialist area, and to give them complete creative freedom to produce the best shows that they can. Unlike larger commercial radio stations, there is no restriction on playlist size, and as a result the music you hear on air is incredibly diverse and wide-ranging.
Presenters come from all across Europe and further afield to work on Seagull, and many are people who have been involved in radio for a long time.
So what’s all this about a ship?
Radio Seagull (and its sister station Radio Waddenzee) are housed on board a former British Lightship (LV8), the Jenni Baynton, which is normally berthed in the harbour at Harlingen. The ship itself is an attraction, bursting full of history, and much restored since its acquisition by Seagull in the early 2000s, and it makes a wonderful base for the radio station – lots of room for studios, engineering facilities, radio mast, and cabins where crew and visiting DJs can be accomodated during special offshore broadcasts. The station also has landbased transmission facilities.
But the ship is more than just a static base.
Once a year, for the last several years, the station has put to sea for periods of about a month each summer, with crew and DJs living on board, a great opportunity for friendships to be rekindled and knowledge to be swapped, as well as recreating some of the excitement of the old offshore radio days (a number of the Seagull presenters, myself included, are veterans of the former offshore pirate stations such as Radio Caroline).
Who is behind Radio Seagull?
Seagull is the brainchild of Sietse Brouwer, a Dutch businessman and radio presenter who also spent some time working with Radio Caroline in the 1990s. Sietse has a passion for good radio, and a great love of ships, and putting the two together in his home town of Harlingen has occupied a great part of his time for the last 10 years.
Where can I get more info / how can I listen?
The best place to start for both is the website – www.radioseagull.com
You can also see more of my pictures from Radio Seagull’s offshore adventures at the following pages:
If you are a new visitor, I hope this has answered your questions, and made you curious enough to listen.
I can be heard every Saturday 7-9am and pm CET, (6-8am and pm UK/Irish time).
But don’t just listen to me – the rest of the presenters are superb!
Every Saturday I present on Radio Seagull, from 6-8am UK/Irish time, repeated later the same day 6-8pm. (or 7-9 European time)
If you enjoy indie and alternative music, you’ll get lots of it, with the occasional folk or country and the odd piece of classic rock. I aim each week to have a minimum of 50% of the show made up of brand new material – mostly tracks from forthcoming or just released albums, EPs and the odd single, along with demos and unsigned bands.
Below is my running order from yesterday, to give you a flavour of the kind and variety of music played.
You can pick up Radio Seagull on AM in The Netherlands and eastern UK (1602khz and currently testing for a limited period on 1395khz) and online everywhere else via www.radioseagull.com
|Von Shakes||Happy Song|
|Chris Rea||Never Tie Me Down|
|Arcade Fire||Neighborhood #3 (Power Out)|
|Juliana Hatfield||Sex and Drugs|
|The Retrospective Soundtrack Players||Send Me the Hell Back Home [20" fade]|
|Grateful Dead||Touch Of Grey|
|Ida Maria||10,000 Lovers|
|CSS||Rhythm to the Rebels|
|Wolventrix||Wanderlust – Single|
|Joe Bonamassa||The Meaning of the Blues|
|Cheap Girls||Cored to Empty (Demo Version)|
|Dinosaur Pile Up||Birds & Planes|
|The Presidents Of The United States Of America||Truckstop Butterfly|
|The Waterboys||White Birds|
|Rocket from the Tombs||Romeo & Juliet|
|Big Audio Dynamite||E=Mc²|
|*** RS Jingle ***||xxsj-DRY-Seagull ID only ACP|
|Howling Bells||Gold Suns, White Guns|
|Lanterns On The Lake||A Kingdom|
|Samiam||Happy for You|
|Chris Rea||Dance With Me All Night Long|
|Michael Schenker Group||Armed And Ready|
A little while back I wrote about the lovingly handcrafted AM transmitter being built onboard the Radio Seagull ship Jenni Baynton during the summer. Now I am pleased to report that you will be able to hear it in action.
Starting tomorrow, 1st October 2011, the ship will be used for test transmissions on 1395Khz AM at various power levels, for a number of weeks. During this time, the programmes of Radio Seagull (already available on 1602Khz AM) will form the content of the test transmissions.
These tests will run 21 hours a day, as due to international agreements the frequency 1395Khz cannot be operated in The Netherlands from 2000-2300 CET (1900-2200 UK/Irish time).
As these tests will be at times on higher power than the existing 1602 service, you may find that you are able to pick us up further afield than usual.
Reception reports will be appreciated – full details and regular news at the Radio Seagull website.
And don’t forget, you can catch my Saturday show on Seagull every week, from 7-9am and 7-9pm CET (that’s 6-8 am and pm in UK/Ireland) featuring the best in indie and alternative rock, with at least 50% of the show devoted to brand new releases, including unsigned bands.
As well as the two AM frequencies, you can listen online anywhere through www.radioseagull.com
Time for some more photos from Radio Seagull’s recent spell offshore. This time it’s the people shots.
This is by no means everyone who was on board during the week, just a mixture of some of the Radio Seagull and Radio Waddenzee presenters who came and went during the two weeks I was there.
OK, this one is for the more technically minded radio enthusiasts.
Out here on board the former lightship Jenni Baynton, our engineer Walter Gralle has been building a copy of one of the old-fashioned high-power AM transmitters as used on the offshore stations of the past. This is similar, apparently, to a transmitter used on the Caroline ship Mi Amigo in the 60s.
Below are some photos of this magnificent piece of valve- driven transmitting equipment, which is nearing completion.
Click on any picture for a bigger version.
If you’re wondering where the studio, tx and people shots are . . . they’re coming later in the week.
I’ve now arrived safely in board the Lv Jenni Baynton, anchored in The Waddenzee.
I’ll be on air with Radio Seagull this evening from 7-10 Dutch time (6-9 UK and Irish time).
Catch Seagull in 1602AM in Holland, it via www.radioseagull.com
I’m looking forward to an interesting 10 days afloat.
Pictured here are the radioship Jenni Baynton as I arrived today, and a lively historic sailing ship that has just passed close by.
That time of year has come around again – the annual excursion by the Dutch broadcaster Radio Seagull when it puts out to sea for a month on the former lightship which acts as a studio and transmission base for both Seagull and its sister station Radio Waddenzee.
The Jenni Baynton will be anchored 8 miles offshore from the coastal town of Harlingen and transmitting on 1602Khz AM, with the usual internet feeds.
I will be living on board from June 2nd to 13th, a longer period than last year, and I’m really looking forward to getting the chance to indulge in my love of all things maritime, and rubbing shoulders and exchanging musical ideas with the other Seagull and Waddenzee staff, which will hopefully result in some fine programmes. The ship itself will be offshore until the end of the month, including some time spent located at the island of Terschelling for a local festival.
For the duration of my stay on the ship, I will be on air nightly at 7-10pm local time (6-9pm Irish/UK time), every day except Friday 3rd.
I’ll blog regularly from the ship when mobile reception permits, and I’m also hoping the peaceful atmosphere on board will lend itself to some quality writing time also, as I’m way behind on my second book.
Further details next week.
It’s just after sunset on a weekday evening sometime in the late summer of 2001. I’m in the front room of a suburban house somewhere just off the Rock Road in Dublin, within a stones throw of the sea. I can’t remember exactly where, now, but I do remember the excitement of all involved, especially myself.
I was in a house I’d never been to before, facing four lads I didn’t know, who were about to give me a wonderful gift – their dreams, inspiration and pespiration, all wrapped up in that little package of hope that is called a demo CD. They gave it to me, freshly burned and unlabelled, and I was out the door promising them that yes, I would listen to it, and yes, I would give it a spin on the breakfast show on Phantom (this was back in the pirate days when we were glouriously un-corporate and unbranded ourselves).
I was the breakfast DJ on Phantom FM back in those days, and had developed something of a reputation amongst newly formed bands for my willingness to put new material straight on the air, without letting my own opinions moderate, and without any vetting process other than making sure that the contents were not obscene. I was always willing to give a new band their first play, and indeed later developed a feature or “hook” on my show whereby I would ask people to send me in their demos, and I would open the package, and put it straight on, live on air, giving a running commentary of what it looked like and anything else in the envelope. The music wasn’t always outstanding, but it often showed promise and sometimes greatness, and best of all it made for wonderful live radio.
There were unintended comic interludes too, like the time that a then unknown band called Ham Sandwich left me a CD, and to pique my interest, they included a Ham Sandwich in the package. Sadly I was away for a couple of days, so when I did open the package on air, it was to a quite noxious smell . . .
Better still was my dumbfounded silence and quick switch to music one morning when the package I opened during a live link, expecting a musical treat, turned out not to be a demo from some new band, but an ex-girlfriend returning some belongings to me c/o the station a few weeks after we split up!
But to go back to the lads in the house somewhere off the Rock Road, I did indeed play their music, and liked it so much that I still have the CD some ten years later. There were two epic tracks and one very passable 4 minute single-candidate on their, with a depth of lyrics that matched the passion I had seen on their faces during our brief encounter.
Nothing ever came of this band, indeed I never heard of them again, and as far as I can make out, they must have split up and gone their different ways many years ago without even the faintest glimmer of the success that I felt they deserved. I can find no trace of them now, and an internet search only reveals a new, and seemingly unrelated Dublin poprock band who have taken the same name – “Milk“.
Now, by any defination of those involved in mainstream radio, my demo tracks from the original 2001-era Milk band are unknown, unplayable, in effect worthless. But I ask myself – why?
Does it matter that these people had no rise to fame, no chart success, no record deal? If I like what I hear when I play the CD, does it matter that no one knows them? If a piece of music deserves to be heard for the passion put into it, why should it be discounted just because it is unknown?
For me, music, once committed from the soul of its creator to the medium of storage, is a valid choice forever, even if it is the tree falling in the forest that nobody is there to hear.
I still seek out and play brand new music on my shows on Radios Seagull and Caroline to this day, alongside the better known material, and i still dig out and play, from time to time, the songs of the forgotten bands who came and went unknown despite their talent.
Join me, this Saturday (5th March 2011) for my regular weekly show on Radio Seagull, for two hours of music worth hearing, old, new, successful and unknown alike, including a track of that 2001 demo from a forgotten band called “Milk” (no apparent relation to the current Dublin band of the same name).
And I may even throw in some Ham Sandwich too, though without any noxious smells!
Saturday 6-8am (repeated 6-8pm) Irish time (or 7-9 CET)
or 1602Khz AM in the Northern Netherlands
Every Saturday from 0600 to 0800 and again at 1800-2000 GMT (or an hour later if you are in Central European Timezone) I present a two-hour rock and indie show on Radio Seagull, an English-language station based in Northern Holland, which can be heard locally on 1602 AM, or globally via the Seagull website.
Once a year, usually in early summer, Seagull puts to sea in its lightship the Jenni Baynton, and the crew of broadcasters and engineers live and work together for a period of weeks, but for the rest of the year I prepare and present the shows from my own studio in Dublin, and link across to the Seagull transmitter through a fast broadband connection.
The joy of Seagull is that within the parameter of being broadly a rock station, it is entirely free format, so I have 100% free choice in what I choose to play, and how I structure the show each week. As long as I include a couple of scheduled adverts/promos, and time correctly to let the local studio in The Netherlands insert an ad-break at the top of the hour, the show is absolutely my own to do with as i please.
If I want to play an ultra-long prog-rock track, I can, if I want to put a softer pop tune inbetween some new rock releases I do, and no one will query my judgement. There is no need to “play safe” so I can goas far down the road of new releases from little-known bands as I like. Or I can theme the show on a whim if I want.
Seagull works on the principle of using presenters who are passionate about what they do, and trusts them totally. It’s a heady freedom, and I love it.
Working free-format is a breeze if you are doing a one-off, but can be more demanding if you are doing a show every week – avoiding the trap of going down the same routes too often, keeping it fresh, and knowing when and where you have played something before. Thankfully technology makes this so much easier these days, but even so, I probably spend about 5 hours – an entire evening each week – preparing the Saturday shows. It’s always worth it though.
A few people have asked about Seagull and what we play, and others about the mechanics of it, so i thought a quick walk-through of how I prepare a show, and the finished playlist would be fun to write and put up.
So here is my Seagull show for Saturday 19th February 2011, from blank page to finished playlist.
I use a wonderful piece of software called MegaSeg to manage my personal music library, put together playlists, and act as a ‘virtual studio” when I am presenting the shows. I purchased this rather than using one of the various shareware packages that are around because of its depth of features – you could run a complete radio station via MegaSeg if you needed to, and I find that it has paid for itself several times over in the ease of access it gives me to store and search my music, and the flexibility it allows me in building and presenting a show.
So, looking at the playlist window, we start of with a clean slate:
In the screenshot above, I’ve added in markers to indicate the two hours of the show, and the couple of promos that need to be played in each. At the bottom is shows me the total running time of the current playlist (2 mins 39 secs ).
The first thing I will do will be to select and put in all of the new music that I am going to feature in the show. I generally like to have about 50% of the content of the show being brand new or very recent material. Again, there is no specific rule for this on Seagull – I am free to use as much or as little new music as I like, the 50ish 5 is my own personal preference, based on the fact that I enjoy discovering and sharing new sounds, and that having a high content of new material is one way of keeping a free-format show sounding fresh month after month.
OK, so in the shot above, I have now added in my new music content, and the playlist comes to 1 hour 13 mins, so probably around 60% or so on this occasion. From the current timestamp (the number bottom left) compared to the previous shot, you will see that it has taken around an hour for me to settle on the blend of new tracks I’ll be playing today.
Most of these will be very new (just out, or possibly pre release), some will be from within the last 2-3 months, and a couple may possibly be older, but from a newly released album or compilation.
At this point, the tracks are not in a specific order, I have just placed them into the playlist roughly equally distributed between the two hours. I’ll know better what running order I want once I’ve added the other material. I do however know that I want the 16 minute Trail of Dead track, “Tao of the Dead Pt. 2″ to come out of the ad break in the first hour, so I’ve put it in place there.
These tracks are a mixture of album and EP tracks, with the odd single. Usually each week there is one album or EP which I have just bought, and I will feature two tracks from, one per hour – this week it is The Fallen Drakes.
In the shot above we are looking at the Library window, which allows me to choose from the roughly 10,000 tracks I have available (including jingles, promos, adverts as well as music). MegaSeg has a very powerful search function which is instant as you type in the words to be searched for, or you can view the entire library listed by Artist, by Album, by Song Title, by duration, by Genre, or by Date Added (the latter being useful for isolating the newest material).
In this view above, we are looking at the library by duration – this is very useful when you need to complete a playlist to time exactly to the finish of an hour, and need, for example, a choice of all the tracks that are 5 mins 43 in duration, as seen here. I also use the view-by-duration as a good way of randomising the library when i am picking older tracks to play – whereas when viewing by album or artist your eye might be drawn to better known tracks, if you pick a randon time on the list and scroll up or down from it, you will quite often pick up a good collection of varied tracks that might not have lept out at you in the more ordered view.
I have now added enough older material to fill out the the remaining 47 minutes (and it’s taken me a bit more than two hours just to make those choices!). The total playlist length is now 2 hours, 2 mins and 21 seconds – slightly over-long, but that will get cut down shortly. It’s still not neccessarily in the final order though, but I’ve made sure to choose the start track in each hour carefully – I like to have something reasonably strong, and not too quiet to start off the hour.
You will notice that whereas some of the songs have just a duration, others have more info – for example “Wild Angels” by Magnum says :24/5:32/F. This means that the intro on the song is 24 seconds before vocals start, it is 5 mins 32 long, and ends with a gradual fade (the other options are “C” for a “Cold” or sudden ending, and “S” for “Sustain” when it ends on a drawn out note or flourish).
I will need to go through and set this on the other tracks in the playlist – once I have done this, the library will remember this information, so I’l never have to do it again for that track.
In the picture above I am editing the details for Heather Nova’s “Walk This World”.
Setting the intro length is handy, but setting the endpoint is essential. Almost all commercial CD releases of music include a couple of seconds of silence after the end of the track, sometimes as much as 4 or 5 seconds, and it is important to tell the system the exact point at which you wish it to cut to the next track if you are to avoid gaps. Similarly, it is occasionally neccessary to set a start point a second or two into the recording if it starts with silence – this is especially a problem with non-commercial and demo CDs from bands. You also have a drop-down menu for recording the ending type.
Going through and doing this for each track on the playlist will usually take another hour. As the system stores these settings, gradually more and more of my library will be already done, but I’ll always have to edit the details on the new arrivals.
Here is the playlist somewhat later – all track details now recorded, and endpoints set – note this has knocked a full 2 minutes of the duration of the playlist – that’s a lot of little silences!
I have also put in a couple of jingles (will drop in more when I’m actually presenting), plus there are some spots marked “BREAK: Wait for Segue“. This is where I have commanded the system to stop, and wait for me to manually restart it – this is for places where I want to speak for a bit longer, and won’t be using the song intro, and also for the end of the hour, where the studio in The Netherlands will insert an ad break at the top of the hour.
All of this, which has taken probably around 3 hours or more, can be done at any stage, several days in advance of the show if neccessary. All I need to do at this point is save the playlist (which I’ve been doing regularly as i built it of course) and it is ready to be called up when it is time to do the show.
Almost always i will make odd adjustments on the spot as I am going through the show, and the odd song will be changed as the whim, or the mood of the music inspires me to a new choice. And usually one or two tracks will end up being dropped in the end, as the speech bits in the BREAK segments take up some time.
In the end, I always re-save after finishing the show, so that I have a record of what was played, which can be useful to check back on.
Mega-Seg can also output the playlist as a PDF, so here is the final version of todays Seagull show, so you can see the entire list that we couldn’t fit in the screenshots.
So there we have one of my Seagull Saturday shows, from conception through to transmission.
If you enjoyed reading this, why not give it a listen some Saturday?
Radio Seagull – 1602khz in Northern Netherlands
Steve Conway – 6-8am and 6-8pm Saturdays (7-9 am and pm European time)
Today on Radio Seagull I’m devoting my show entirely to music released during the last year (or, to be more accurate, from albums released during 2010, plus a couple of 2010 EPs and singles/demos).
You’ll hear tracks from Warpaint, Cathy Davey, We Should Be Dead, Vampire Weekend, Von Shakes, 6 day Riot, Lloyd Cole, Iron Maiden, Frank Turner, Carolina Chocolate Drops, Joanne Shaw Taylor and much more.
They are all good, but I’d single out Cathey Davey‘s demented “Army of Tears” for special mention, while the Carolina Chocolate Drops “Knockin’” is a wonderful fusion of sounds and funky sassiness. Lloyd Cole gives a glimpse of the alpha/beta sexual dynamic with female mate choice in “Man Overboard” while Heart‘s “Red Velvet Car” is the lush title track from their best new album in 30 years.
I’ll edit this post to include a full track listing after broadcast.
EDIT: Here it is: 1101-sconway-NewYearsDay-playlist
These are some of the artists whose releases I’ve most enjoyed playing during 2010, I hope you enjoy hearing them.
From 6-8pm UK time (7-9 in Central Europe) on 1602Khz MW in the Northern Netherlands, and worldwide at RadioSeagull.com
Looking back, I can’t recall another year in my life when I have lived as vividly as I did in 2010.
Despite 2010 being bleak economically and politically both home in Ireland and pretty much everywhere else in the west, despite long hours and stress in various workplaces, despite some non-threatening but quite inconveniencing medical blips, despite my car heater dying just in time for the coldest December since records began . . 2010 was a year in which I really lived, in which old emotions were reawakened, and new ones discovered, and my store of life experience grew more than it has done in a long time.
I had set myself a challenge at the end of 2009 to start doing things I had never done before, to open myself to new experiences beyond my comfort zone. And while I didn’t get to the arbitrary goal of “10 things” during the year, I reached 5, two of which were experiences that profoundly moved or enriched me, and a third which brought back childhood memories entwined in a futuristic setting.
Not all of the great things that happened to me during the year were as a result of this self-challenge, but perhaps the attitude it engendered in me of being more open filtered through to other things too.
So what made my year?
Well, some unique experiences came about as i sought to push myself into new things.
Taking part in the Bristol Balloon Fiesta was certainly a “high” point of the year, and my first ever hot-air balloon flight, as part of a mass ascent of more than 80 balloons within an hour at dawn, was a unique and moving experience, so much so that I felt to write about it in purely descriptive journalistic terms would be . . to miss some indefinable element of the experience.
Twisting it in my mind, it instead inspired me to write a short story “A Bristol Awakening” that is neither fact nor fiction, but also both. A very intimate story, it has been received well at a number of public readings, especially by women, and I am hoping to see it published in 2011.
Slightly more down to earth, though involving a different sort of (non) flying, as one of my challenges I put myself forward to the Dublin Airport Authority to be one of the special testers of the new Terminal 2 before it opened. Apart from fulfilling my curiosity about the new building, and allowing me a sneak peek at new transport infrastructure, which I’ve always been interested in, the experience reminded me of aspects of my past that I had long forgotten, and also gave me a chance to get my own back on customs, just for once. You can read the details in my post Mr. Beagle Goes To London (Not).
Something I have never wanted to do, and felt I would always avoid, enriched my life and gave me a wonderful experience when i tried it as part of the “going outside my comfort zone” element of my 10-things challenge. A visit to the Royal Opera House in Covent Garden, accompanied by a an impossibly glamourous companion, opened a whole new world of experience, sight, sound, and stimulation to me. I enjoyed it more than I could possibly have imagined, and do intend to write up the experience here at a later date.
Pushing myself outside my comfort zone, doing what I would not normally consider doing was one of the elements i wanted to achieve in drawing up my list of 10 things, and I am so very glad I did this.
As the year comes to an end, I’ve so far ticked off 5 things, and have more still in planning, with some space left on the list for spontenaity.
So 2011 should continue in similar vein, and to be honest, when I reach 10, why stop there?
Of course, there were other things which made 2010 an exceptional year for me, some planned, others unexpected.
A couple of things that really moved me were radio related, and did not come about as a result of my challenge list.
Going in March to Ramsgate to do a reading from Shiprocked for the benefit of the RNLI, brought me face to face with the men who came to my rescue on one of the darkest days of my life, 19 years earlier.
Meeting the crew of the lifeboat who battled through a Force 10 NE to come to our aid when the Caroline ship was aground on the Goodwin Sands was a profoundly humbling experience, all the more so because of the warmth of the welcome I received, and the support they showed for Caroline despite having been put through hell that morning and nearly losing their own lives on account of our stubborn decision to stay on board the apparently doomed vessel.
I won’t forget the men of the Ramsgate Lifeboat, and will be making another fundraising trip to see them in November 2011, on the 20th anniversary of the grounding.
The same weekend I revisited the Ross Revenge for the first time in many years, and was invited to join the current-day lineup of Caroline on satellite, which, despite the many years of my absence, felt like a real homecoming.
(I can be heard on Caroline every Monday 2-4pm, Sky Digital Ch.0199 and via RadioCaroline.co.uk )
Another emotional moment came about in May, after I had been invited to join the crew of the Dutch station Radio Seagull, which was celebrating a month long offshore broadcast, 8 miles of the coast of Friesland.
There were many memories stirred by being offshore for the first time since 1991, though the most intense of these was to come on me unexpectedly.
The week I spent at sea with Radio Seagull was bliss, with old memories awoken, and new friends and new memories made at every moment of each day. (See the posts OFFSHORE AGAIN and Seagull Day 1 and More Seagull Pictures and Clear White Light and A Ferry Large Tender as well as Seagull Offshore – The Pictures for the week as I blogged it at the time)
But the most vivid experience of that week came for me, unexpectedly, in the middle of the night and alone, and had nothing to do with the radio side of the visit. Being given the job of staying up on watch overnight for one of the nights, while usually regarded a something of a chore, for me brought both fear and redemption, as I was finally able to lay to rest the ghosts of what had happened on the Caroline ship, many years earlier, when we drifted, unheeding, onto the deadly Goodwin Sands.
For all that the storm in 1991 had been so fierce, and our ship so run down and unable to navigate that we could not have resisted being swept onto the Goodwin Sands even if we had realised earlier that our anchor chain had broken, I had carried with me these many years a nagging sliver guilt that I should have known, should have been more alert, should have done better.
Now, here I was again, and for the first time since that fateful night, entrusted to watch over a ship at anchor at sea, and in the grips of bad weather too. I was both siezed with fear that it would all go terribly wrong on my watch, and grateful for the chance to prove myself dilligent and keep the most careful of watches. I checked our position regularly, I did a full round of the ship and checked the anchoring cables every hour, I saw us safely through to dawn, and I slayed a dragon that had slumbered in a corner of my mind for many years.
The week was over too soon, but I was delighted to be asked to join the staff of Radio Seagull and to contribute a weekly show from my own studio in Dublin, with my own choice of music – a mix of new and alternative music as well as classic rock, with a bit of blues and soul mixed in. Presenting these shows on Seagull have been an immensely satisfying experience for me.
(I can be heard 7-9 am and pm each Saturday, on 1602Khz MW in The Netherlands, and worldwide at RadioSeagull.com )
Phantom 105.2 in Dublin also continued to be a source of great enjoyment for me, and though I had to move away from regular weekend shows towards the end of the year due to domestic commitments, the station and its staff still feels like an extended family for me, and keeps me informed on new music trends.
There were lots of mini high points in 2010 – from an unexpectedly beautiful sunrise encountered one morning on my way to work, to, finally after all my years on this earth, a proper White Christmas.
There was also another experience, quite unexpected, which made me feel like a teenager again, one unremarkable Saturday afternoon at a railway station in an unremarkable British city . . but I won’t go into that one here!
Suffice to say that, for me at least, 2010 has been a year in which i started living and growing anew, despite being at an age where comfort and stagnation would be more usual.
May 2011 have more of the same . . and new . . for me . . and you.
Happy New Year
Hello all, and a very Happy Christmas to my friends around the world.
This Christmas weekend you can hear me on both Radio Seagull and Radio Caroline, and I will also be a guest on a special show on Liffey Sound in west Dublin.
Christmas Day on Radio Seagull 0700-0900 CET / 0600-0800 GMT, repeated 1900-2100 CET / 1800-2000 GMT
Available on 1602Khz AM in northern Netherlands and east coast of UK, worldwide at www.radioseagull.com
Boxing Day / Stephens Day / Dec 26th on Liffey Sound in West Dublin, you can hear me read my short story “Schrodinger’s Bus” as part of Niamh Bagnell’s Scrapbook Christmas Special, between 4 and 6pm. Niamh’s show will feature a wide range of writers and poets who have dropped in on her during 2010, and is guarenteed to be a good listen! 96.4FM in West Dublin, or listen worldwide via http://liffeysoundfm.ie/
Mon 27th on Radio Caroline 1400-1600, via Sky Digital Ch. 0199 and around the world at www.radiocaroline.co.uk and via the iPhone app.
Thanks for listening / reading this year, and I hope your Christmas is a lovely one.
Monday 12th July sees my return to Radio Caroline after an 11 year break, and so I will now be presenting regular weekly shows for three stations – Radio Seagull (on Saturdays), Phantom 105.2 (Sundays) and Radio Caroline (Mondays).
So why three stations, and how can I justify each of them as being “the best” to their listeners?
To answer that, I have to track back in time quite a bit, a quarter of a century, to my first steps into the world of radio. This month marks 25 years since I did my first ever radio show, on South East Sound, a small landbased pirate in South London, which was campaigning for a rock music licence for the capital city which had just 2 commercial stations at that time.
Now, 25 years on, we live in a world where there is vastly more choice available, in no small part due to the efforts of the people behind stations such as South East Sound, Caroline and Phantom over the years and I’m delighted to be regularly broadcasting on three unique and strong independent operations in European radio.
Dublin’s Phantom 105.2 is at the centre of music culture in one of the most vibrant and creative cities in these islands, and I feel very privileged to be still going strong after 10 years with the station. I learn something new, discover something fresh and exciting every time I walk into the Phantom studios, and I love that.
Joining the crew at Radio Seagull has allowed me to be really creative in mixing classic and prog rock of 5 decades with new material in an environment where nothing is off limits, and it’s great to be able to bring some of the new Irish rock bands to an audience in The Netherlands and further afield.
And Radio Caroline, still a proud independent voice after all these years, gives me access to a huge potential audience in the UK via the Sky Digital system, and lets me indulge in my taste for a wide range of musical genres. Caroline has always been about real people sharing their passion for music in a down to earth style, and so many of the people I admire as real radio broadcasters have passed through it’s studios – or never left!
Back in 1985 when I joined South East Sound in London we were campaigning for more radio serving more interests, and I think it’s great that we have so much more choice in 2010, and that I can now be involved in three stations which though all different in content and coverage, are all keeping the flag flying for independent, alternative music and diverse voices on the airwaves.
Radio Seagull 1800-2000 (UK/Irish time) every Saturday
Phantom 105.2 1200-1500 on Sundays
Radio Caroline 1400-1600 on Mondays.
Now I’m back in Ireland I have, as promised, put together a good selection of photos from my week aboard the floating rock station off the Dutch coast, Radio Seagull, and its ship, the Jenni Baynton.
There are a lot of pictures, so there are divided into three sections, as below:
View pictures of:
Enjoy – I did!
The tender that took me back to land at the end of my stint aboard the radioship Jenni Baynton was somewhat larger than the run of the mill supply vessel.
Thanks to the enthusiasm and helpfull stance of a local ferry captain, Radio Seagull / Waddenzee is able to make use of regular ferry runs when no dedicated suply boat is scheduled.
The skill with which Captain Freddie brings his car ferry alongside the radioship is matched by his warm welcome for members of the radioship’s crew using his service.
Below are some shots taken as I was leaving the Jenni Baynton on Friday afternoon.
Don’t forget I will have a full photo update on Sunday night.
My first day back at sea after 19 years, and we have a North Easterly blowing. It’s like I’ve never been away!
Leaving Harlingen harbour on the tender started bringing the memories back, pushing out to sea towards a radioship that we could hear but not see.
90 minutes or so later we were coming alongside the Jenni Baynton, the former lightship which transmits the Dutch station Radio Waddenzee by day and the English language rock of Radio Seagull in the evenings and overnights.
Coming on board brought fresh memories, the melée of tendering, the babble of dozens of simultanous conversations in different languages, that “ship” smell of metal, grease and diesel.
Then the tender departed, and we were alone under grey skies on an increasingly lumpy sea. It is only when the tender is sailing away, leaving you behind that you feel the connection to land finally sever. This is no longer a day trip.
“Once you’re out there, you’re out there” as someone advised me many years ago, on the eve of my first ever stint with Radio Caroline.
Old memories there may be, but I’m making loads of new ones too. Radio Seagull, anchored well out from the Dutch coast and transmitting on AM with a nice big ship-based tower does feel familiar in many ways, but is fresh and exciting in others.
I’ve never been on a ship which manages to use space in such a strange TARDIS-like fashion as the Jenni Baynton. From the outside it looks modest, but inside wide sweeping corridors and broad staircases give a much more open feel than on either the Ross Revenge or the Communicator. The ship boasts two messrooms, generously sized studios, and, much to my surprise a large dancefloor with tables, lighting equipment, DJ booth, and fully equipped bar!
My first show on Seagull was a pleasure, playing my choice of classic and modern rock, album tracks more than singles. The audience are musically curious, so straying far off the beaten track is encouraged.
And as I was on air and darkness fell, the wind got up to a 7 and beyond from the north east, the rain and spray was battering on the portholes, and the ship was moving in the seas, though not uncomfortably so.
I know I’m going to like this.
Radio Seagull can be heard online at http://www.radioseagull.com
Come and join us!
Arrived on board Seagull. More later!
This weekend, and the week that follows is going to be one of the high points of my year, as I go back offshore and broadcast from a ship again, surrounded by fellow crewmembers from the offshore stations of years gone by.
“Radio Seagull” is a rock music station which broadcasts the overnight service on the Dutch station Radio Waddenzee, which is based on a former lightship, the Jenni Baynton, normally moored safely alongside the pier in the town of Harlingen.
But for the month of May the Jenni Baynton is putting out to sea again, and will be anchored some 8 miles off the Dutch coast, bringing radio back to the North Sea and providing a great opportunity for former pirates to relive the old days while bringing quality rock music, old and new, to an audience on AM and online.
I’m thrilled to have been invited to spend some time out at sea onboard the Jenni Baynton, and I will be on air each night on Radio Seagull from 10pm-1am CET (9pm-midnight BST) from Sunday 2nd to Thursday 6th May.
Over the month of May a whole host of people from the former Dutch and British offshore stations will be joining Seagull, and indeed I will be on board with my brother, Chris Kennedy, just as we were on Caroline back in the eighties.
Depending on mobile reception, I may be able to share pictures and update this blog while on board, if not, I will certainly do so on my return.
So watch this space, and tune in to Radio Seagull each night for some great classic and progressive rock from the last several decades.