The recent test-transmissions on 1395Khz by Radio Seagull have driven quite a few Google search requests to this blog, so I’ve decided to give a quick run-down on the station for any new visitors, as well as for those who follow me for my other content and might be curious.
Please note my disclaimer: I am a Radio Seagull presenter myself (Saturdays 7-9am and pm CET, 6-8am and pm UK/Irish time) so you are reading an insider rather than an outsiders point of view. Having said that, I also have to point out that all views are my own, and not neccessarily endorsed by the station.
So, what is Radio Seagull?
Radio Seagull is a full-time, permanent, licenced terrestrial, English-language radio station based in The Netherlands, specifically the town of Harlingen, in the northern coastal area. As well as AM coverage emenating from Harlingen, the station can be heard worldwide via its online stream, accessible from the station website - www.radioseagull.com
How can I hear Radio Seagull?
In The Netherlands the station shares its AM frequency (1602Khz) with Radio Waddenzee, a regional station servicing the north of The Netherlands in the Dutch language. Waddenzee is heard from 7am-7pm and Seagull from 7pm to 7am on mediumwave, however Seagull is available 24 hours a day online.
(Radio Waddenzee takes its name from The Wadden Zee, a large area of sea on the fringe of the North Sea, but partly protected by a chain of islands 20km or so from the coast.)
As well as terrestrial and online outlets, Radio Seagull is sometimes carried as a sustaining service on other stations around the world. Currently the station is being relayed as the content of a series of test transmissions on 1395Khz on AM, which are being made from the Radio Seagull ship, the Jenni Baynton. These are scheduled to continue until mid-November (but Seagull will continue to be available on its permanent frequency of 1602Khz, at all times).
What type of programmes does Radio Seagull have?
Radio Seagull features both modern alternative and classic rock, as well as a wide variety of specialist music shows. Some presenters specialise in new and alternative music, others present more general shows. Details can be found at the website www.radioseagull.com.
In order to cater for international listeners in different time-zones, the schedule is organised into groups of programmes in 12-hour blocks, repeated once the same day – so that, for example, a show aired at 3-5pm will also be aired at 3-5am, giving people in different parts of the world the chance to hear each show in their “daytime”.
How is Radio Seagull different from other stations I can hear on the internet, or local stations on FM?
Radio Seagull’s programming philosophy is to gather together experienced and professional presenters from around the world, people who are passionate about the music they play, or very knowledgeable in their specialist area, and to give them complete creative freedom to produce the best shows that they can. Unlike larger commercial radio stations, there is no restriction on playlist size, and as a result the music you hear on air is incredibly diverse and wide-ranging.
Presenters come from all across Europe and further afield to work on Seagull, and many are people who have been involved in radio for a long time.
So what’s all this about a ship?
Radio Seagull (and its sister station Radio Waddenzee) are housed on board a former British Lightship (LV8), the Jenni Baynton, which is normally berthed in the harbour at Harlingen. The ship itself is an attraction, bursting full of history, and much restored since its acquisition by Seagull in the early 2000s, and it makes a wonderful base for the radio station – lots of room for studios, engineering facilities, radio mast, and cabins where crew and visiting DJs can be accomodated during special offshore broadcasts. The station also has landbased transmission facilities.
But the ship is more than just a static base.
Once a year, for the last several years, the station has put to sea for periods of about a month each summer, with crew and DJs living on board, a great opportunity for friendships to be rekindled and knowledge to be swapped, as well as recreating some of the excitement of the old offshore radio days (a number of the Seagull presenters, myself included, are veterans of the former offshore pirate stations such as Radio Caroline).
Who is behind Radio Seagull?
Seagull is the brainchild of Sietse Brouwer, a Dutch businessman and radio presenter who also spent some time working with Radio Caroline in the 1990s. Sietse has a passion for good radio, and a great love of ships, and putting the two together in his home town of Harlingen has occupied a great part of his time for the last 10 years.
Where can I get more info / how can I listen?
The best place to start for both is the website – www.radioseagull.com
You can also see more of my pictures from Radio Seagull’s offshore adventures at the following pages:
If you are a new visitor, I hope this has answered your questions, and made you curious enough to listen.
I can be heard every Saturday 7-9am and pm CET, (6-8am and pm UK/Irish time).
But don’t just listen to me – the rest of the presenters are superb!
Today saw the debut of Classic Hits 4FM‘s new lineup, and the move of Gareth O’Callaghan to a new afternoon/drive slot, running from 3-7pm.
I’m not normally near a radio mid-afternoon, but I made a special effort to tune in today, as I really wanted to hear how Gareth sounded on the new show. He did a superb job on breakfast for the last two years, but freed from some of the more serious morning gloom (the last two years has seen Ireland waking up to ever more depressing morning news bulletins) he is really free to shine, and that he does.
Afternoons is Gareth’s old home from his RTE 2FM days, and he certainly sounded comfortable as well as hugely energised on the new show. And I’m pleased to see that his fellow ex-Sunshine newsreader Cathy Creegan has moved with him – they blend well together.
I’m not usually a music listener at drivetime – the news programmes on RTE Radio 1 or BBC Radio 4 usually have a hold on me – but listening to Gareth coming stomping out of the 5pm bulletin with Prince’s Raspberry Beret reminded me just how good a good drivetime show can be, and made me think that I might be tempted away from the speech stations more often in future.
Gareth O’Callaghan can be heard on Classic Hits 4fm each weekday from 3-7pm in Dublin, Cork, Limerick and Galway, and via www.4fm.ie
A great post from Christopher England today on his England’s England blog – http://www.christopherengland.com/2011/05/background-radio-v-foreground-radio.html
Chris talks about music radio audience, and why niche market stations can sometimes drive their listener figures in the wrong direction when they try to apply “accepted wisdom” to their programming philosophy. I won’t quote him here – you should head over and read the full thing – but I will say that there is more than one station in my own market, Dublin, that could do with following his advice.
You may not have come across Christopher England before, but you may well have listened to stations that used him behind the scenes.
Chris has always been a bright kid, ahead of the pack, and with a special interest in talk radio he always has something to say, and it’s usually worth listening to. From the landbased pirates in London in the early 80s, through Caroline offshore and on to stations such as TalkSport, Chris has worked at the sharp end long enough to know what’s what, and his career includes launching and running his own satellite radio station - Euronet – with a mixture of speech and music programming that was a little ahead of its time in 1992.
People sometimes talk about their “fantasy radio lineup” and if I ever win the lottery and buy my own radio station, Chris will be on mine twice – once with his unique brand of talk show, and again as creative director for evening/overnight 7pm-7am output.
Chris’s daily updates will have you laughing, thinking, and occasionally spitting, but they are always worth reading, even those that I disagree with.
His columns on mass-market radio should be printed out and pinned up on the programme directors wallboard.